{"id":6035,"date":"2025-11-15T17:25:02","date_gmt":"2025-11-16T01:25:02","guid":{"rendered":"https:\/\/village.elisaleonelli.com\/?p=6035"},"modified":"2025-11-15T17:25:02","modified_gmt":"2025-11-16T01:25:02","slug":"nouvelle-vague-jean-luc-godard","status":"publish","type":"post","link":"https:\/\/village.elisaleonelli.com\/index.php\/2025\/11\/15\/nouvelle-vague-jean-luc-godard\/","title":{"rendered":"Nouvelle Vague-Jean-Luc Godard"},"content":{"rendered":"<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Nouvelle_Vague_(2025_film)\"><em>Nouvelle Vague<\/em><\/a>, directed by Richard Linklater, tells the story of the shooting of <a href=\"https:\/\/en.wikipedia.org\/wiki\/Breathless_(1960_film)\"><em>Breathless<\/em><\/a> (\u00c0 bout de souffle, 1960), the first movie by <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jean-Luc_Godard\">Jean-Luc Godard<\/a>, starring <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jean-Paul_Belmondo\">Jean-Paul Belmondo<\/a> and Jean Seberg.<br \/>\nIt premiered in Cannes, and streams on Netflix as of November 14.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-6041\" src=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/NOUVELLE-VAGUE-poster.jpg?resize=640%2C815\" alt=\"\" width=\"640\" height=\"815\" srcset=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/NOUVELLE-VAGUE-poster-scaled.jpg?resize=707%2C900&amp;ssl=1 707w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/NOUVELLE-VAGUE-poster-scaled.jpg?resize=236%2C300&amp;ssl=1 236w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/NOUVELLE-VAGUE-poster-scaled.jpg?resize=768%2C978&amp;ssl=1 768w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/NOUVELLE-VAGUE-poster-scaled.jpg?resize=1206%2C1536&amp;ssl=1 1206w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/NOUVELLE-VAGUE-poster-scaled.jpg?resize=1608%2C2048&amp;ssl=1 1608w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/NOUVELLE-VAGUE-poster-scaled.jpg?w=2010&amp;ssl=1 2010w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/NOUVELLE-VAGUE-poster-scaled.jpg?w=1280 1280w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/NOUVELLE-VAGUE-poster-scaled.jpg?w=1920 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/>Nouvelle Vague or the <a href=\"https:\/\/en.wikipedia.org\/wiki\/French_New_Wave\">French New Wave<\/a> was a movement started by film critics of the magazine <em>Cahiers du Cinema<\/em>, that rejected the old tropes of traditional French movies, then put their revolutionary theoretical ideas into practice, starting with <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_400_Blows\"><em>The 400 Blows<\/em><\/a> (Les quatre cents coups) by Francois Truffaut, which premiered in Cannes in 1959.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-6042\" src=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Breathless.jpg?resize=640%2C782\" alt=\"\" width=\"640\" height=\"782\" srcset=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Breathless.jpg?resize=737%2C900&amp;ssl=1 737w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Breathless.jpg?resize=246%2C300&amp;ssl=1 246w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Breathless.jpg?resize=768%2C938&amp;ssl=1 768w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Breathless.jpg?w=1100&amp;ssl=1 1100w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/>After seeing this amusing retelling with a surprisingly funny Godard, American actress Zoey Deutch as Seberg, and a cast of French actors, I pulled out the unopened DVD of <em>Breathless<\/em> from my extensive collection, but discovered that it was damaged and would not play. So I rented the movie from Amazon from $3.99, which was good because it was a restored version.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6043\" src=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Ulltimo-respiro.jpg?resize=640%2C456\" alt=\"\" width=\"640\" height=\"456\" srcset=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Ulltimo-respiro.jpg?w=828&amp;ssl=1 828w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Ulltimo-respiro.jpg?resize=300%2C214&amp;ssl=1 300w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Ulltimo-respiro.jpg?resize=768%2C547&amp;ssl=1 768w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/>When I first saw <em>Breathless<\/em> (<a href=\"https:\/\/it.wikipedia.org\/wiki\/Fino_all%27ultimo_respiro\">Fino all&#8217;ultimo respiro<\/a>) I was a tween living in Italy, and I was instantly smitten with Belmondo. I would then watch every single movie by Godard with great delight, excited by his subversion of movie conventions, his belief that cinema was an art form.<\/p>\n<p>His work was the main reason why in 1969 I decided to write my thesis about cinema at the University of Bologna. My professors would not allow me to study Godard, however, I had to choose <a href=\"https:\/\/en.wikipedia.org\/wiki\/Alain_Robbe-Grillet\">Alain Robbe-Grillet<\/a>, since his work spanned from literature, to screenwriting to directing.<\/p>\n<p>Some Godard movies are available on streaming.<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/A_Woman_Is_a_Woman\"><em><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6044\" src=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/A-Woman.jpg?resize=521%2C670\" alt=\"\" width=\"521\" height=\"670\" srcset=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/A-Woman.jpg?w=521&amp;ssl=1 521w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/A-Woman.jpg?resize=233%2C300&amp;ssl=1 233w\" sizes=\"auto, (max-width: 521px) 100vw, 521px\" \/>A Woman Is a Woman<\/em><\/a> (Une femme est une femme, 1961) with Anna Karina, Jean-Paul Belmondo, Jean-Claude Brialy, was shot in color.<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Vivre_sa_vie\"><em><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-6046\" src=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Vivre.jpg?resize=594%2C900\" alt=\"\" width=\"594\" height=\"900\" srcset=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Vivre.jpg?resize=594%2C900&amp;ssl=1 594w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Vivre.jpg?resize=198%2C300&amp;ssl=1 198w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Vivre.jpg?resize=768%2C1163&amp;ssl=1 768w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Vivre.jpg?resize=1014%2C1536&amp;ssl=1 1014w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Vivre.jpg?w=1219&amp;ssl=1 1219w\" sizes=\"auto, (max-width: 594px) 100vw, 594px\" \/>My Life to Live<\/em><\/a> (Vivre sa vie, 1962) stars Anna Karina (Godard\u2019s first wife)<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Contempt_(film)\"><em><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-6047\" src=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Mepris.jpg?resize=633%2C900\" alt=\"\" width=\"633\" height=\"900\" srcset=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Mepris.jpg?resize=633%2C900&amp;ssl=1 633w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Mepris.jpg?resize=211%2C300&amp;ssl=1 211w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Mepris.jpg?resize=768%2C1092&amp;ssl=1 768w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Mepris.jpg?resize=1080%2C1536&amp;ssl=1 1080w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Mepris.jpg?w=1250&amp;ssl=1 1250w\" sizes=\"auto, (max-width: 633px) 100vw, 633px\" \/>Contempt<\/em><\/a> (Le M\u00e9pris, 1963) with Brigitte Bardot and Michel Piccoli, is based on Alberto Moravia\u2019s 1954 novel <em>Il disprezzo<\/em>,\u00a0 <a href=\"https:\/\/www.youtube.com\/watch?v=j1fJsXQBJ60\">Watch here<\/a> a scene. Bardot, reading from a book about <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fritz_Lang\">Fritz Lang<\/a>, quotes the director: \u201cWe must rebel when we\u2019re trapped by conventions.\u201d<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Alphaville_(film)\"><em><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-6048\" src=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Alphaville.jpg?resize=640%2C797\" alt=\"\" width=\"640\" height=\"797\" srcset=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Alphaville.jpg?resize=723%2C900&amp;ssl=1 723w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Alphaville.jpg?resize=241%2C300&amp;ssl=1 241w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Alphaville.jpg?resize=768%2C955&amp;ssl=1 768w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Alphaville.jpg?resize=1235%2C1536&amp;ssl=1 1235w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Alphaville.jpg?resize=1646%2C2048&amp;ssl=1 1646w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Alphaville.jpg?w=2000&amp;ssl=1 2000w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Alphaville.jpg?w=1920 1920w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/>Alphaville<\/em><\/a> (1965) stars Eddie Constantine and Anna Karina<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Pierrot_le_Fou\"><em><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-6049\" src=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Pierrot.jpg?resize=614%2C900\" alt=\"\" width=\"614\" height=\"900\" srcset=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Pierrot.jpg?resize=614%2C900&amp;ssl=1 614w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Pierrot.jpg?resize=205%2C300&amp;ssl=1 205w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Pierrot.jpg?resize=768%2C1126&amp;ssl=1 768w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Pierrot.jpg?w=945&amp;ssl=1 945w\" sizes=\"auto, (max-width: 614px) 100vw, 614px\" \/>Pierrot le Fou<\/em><\/a> (1965) stars Jean-Paul Belmondo and Anna Karina<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Masculin_F%C3%A9minin\"><em><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-6050\" src=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Masculin.jpg?resize=640%2C850\" alt=\"\" width=\"640\" height=\"850\" srcset=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Masculin.jpg?resize=678%2C900&amp;ssl=1 678w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Masculin.jpg?resize=226%2C300&amp;ssl=1 226w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Masculin.jpg?resize=768%2C1019&amp;ssl=1 768w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Masculin.jpg?resize=1157%2C1536&amp;ssl=1 1157w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Masculin.jpg?w=1418&amp;ssl=1 1418w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Masculin.jpg?w=1280 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/>Masculin f\u00e9minin<\/em> <\/a>(1966) stars <a href=\"https:\/\/en.wikipedia.org\/wiki\/Jean-Pierre_L%C3%A9aud\">Jean-Pierre L\u00e9aud<\/a>, who debuted in Truffaut\u2019s <em>The 400 Blows<\/em> as a teenager.<\/p>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Weekend_(1967_film)\"><em><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-6052\" src=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Weekend.jpg?resize=640%2C818\" alt=\"\" width=\"640\" height=\"818\" srcset=\"https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Weekend.jpg?resize=704%2C900&amp;ssl=1 704w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Weekend.jpg?resize=235%2C300&amp;ssl=1 235w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Weekend.jpg?resize=768%2C981&amp;ssl=1 768w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Weekend.jpg?resize=1202%2C1536&amp;ssl=1 1202w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Weekend.jpg?w=1398&amp;ssl=1 1398w, https:\/\/i0.wp.com\/village.elisaleonelli.com\/wp-content\/uploads\/2025\/11\/Weekend.jpg?w=1280 1280w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/>Weekend<\/em><\/a> (Week-end, 1967). The film concludes with two title cards: \u201cEnd of film\u201d and \u201cEnd of Cinema.\u201d<\/p>\n<p>After <a href=\"https:\/\/en.wikipedia.org\/wiki\/La_Chinoise\"><em>La Chinoise<\/em><\/a> (1967), starring his second wife Anne Wiazemsky, and <em>Week-end<\/em>, Godard abandoned the movie industry to found a Marxist cinema collective.<\/p>\n<p>In 1968 many of us young people in Italy and France were occupying universities and protesting the Vietnam War.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nouvelle Vague, directed by Richard Linklater, tells the story of the shooting of Breathless (\u00c0 bout de souffle, 1960), the first movie by Jean-Luc Godard, starring Jean-Paul Belmondo and Jean Seberg. It premiered in Cannes, and streams on Netflix as &hellip; <a href=\"https:\/\/village.elisaleonelli.com\/index.php\/2025\/11\/15\/nouvelle-vague-jean-luc-godard\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[510],"tags":[],"class_list":["post-6035","post","type-post","status-publish","format-standard","hentry","category-movies-tv"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/village.elisaleonelli.com\/index.php\/wp-json\/wp\/v2\/posts\/6035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/village.elisaleonelli.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/village.elisaleonelli.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/village.elisaleonelli.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/village.elisaleonelli.com\/index.php\/wp-json\/wp\/v2\/comments?post=6035"}],"version-history":[{"count":5,"href":"https:\/\/village.elisaleonelli.com\/index.php\/wp-json\/wp\/v2\/posts\/6035\/revisions"}],"predecessor-version":[{"id":6056,"href":"https:\/\/village.elisaleonelli.com\/index.php\/wp-json\/wp\/v2\/posts\/6035\/revisions\/6056"}],"wp:attachment":[{"href":"https:\/\/village.elisaleonelli.com\/index.php\/wp-json\/wp\/v2\/media?parent=6035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/village.elisaleonelli.com\/index.php\/wp-json\/wp\/v2\/categories?post=6035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/village.elisaleonelli.com\/index.php\/wp-json\/wp\/v2\/tags?post=6035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}